Tag Archive for: saori weaving

Cashmere Yarn
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SAORI Weaving with Cashmere Yarn

SAORI Weaving with Cashmere Yarn

Weaving with cashmere yarn is a beautiful and delicate process. Cashmere’s fine fibres make soft, lightweight, and warm textiles. They are light as air, yet soft, cozy and warm!

SAORI weaving is a great way to work with cashmere. Here are some tips to help you get the best results when using cashmere yarn in SAORI weaving:

Setting up Your Loom

  • Warping: Embrace the SAORI philosophy by warping your loom in a relaxed way. You can make your own warp or purchase one of the limited edition pre-wound cashmere warps.

  • Cashmere yarn, SAORI prewound warp
  • SAORI Cashmere Prewound Warp

  • Set Up Your Loom: Cashmere can be delicate, so ensure the tension isn’t too tight.

  • Mixing Colors and Textures: Incorporate other yarns, fibers, and textures into your warp for added visual interest. Cashmere weft on a cashmere warp is the ultimate in luxury. Cashmere and silk work very well together and you can get variable shrinkage, so a nice textural interest. Cashmere can also be woven on a cotton warp for a nice effect.

Weaving with Cashmere

  • Cashmere yarn shines in plain and simple weaves, which emphasize its softness and natural beauty. SAORI is a natural for this.

  • A light beat creates a lightweight fabric. This allows the softness and drape of cashmere to shine through. It makes the fabric ideal for scarves, shawls, and lightweight wraps.

  • Cashmere fibres can break with abrasion, so minimize rubbing against the heddles and the reed. Advance your warp often to reduce wear on individual threads. A gentle beat is ideal; cashmere doesn’t need a strong beat. Always use gentle handling when working with cashmere.

Cashmere yarn. Warp and weft

Cashmere warp and weft – warp is mix of blacks and grey, weft is pastels – light as air!

Finishing Techniques

  • Before washing your weaving, secure the ends by knotting the fringes together in any size groups. You can vary the sizes for an interesting look. For scarves or shawls, twisted or braided fringes also add a nice finish.

Wet Finishing Cashmere

  • Cashmere yarn transforms with wet finishing, becoming loftier and softer. Wash your finished weaving in warm water in the washing machine with a gentle soap such as Euclan, no harsh detergents for cashmere! This process allows the fibres to bloom and achieve their signature softness. Hang to dry (in the sun if possible). DO NOT dry in the dryer!

Cashmere Yarn

Cashmere shawl – cashmere yarn for warp and weft

Maintaining Your Cashmere Weaving

  • Washing: When caring for your finished cashmere garments or scarves after the initial wash, hand wash in lukewarm water and dry flat to preserve their softness and prevent pilling.

  • Storage: Store woven cashmere items folded in a cool, dry place.

Weaving with cashmere yarn can yield luxurious, cherished textiles that drape beautifully and feel incredible against the skin. Taking these extra steps to handle it gently will make all the difference in your finished piece. By using these tips, you can make beautiful woven items with cashmere.

SAORI weaving is as much about the journey as the finished product. Take your time, enjoy the tactile nature of cashmere, and let your creativity shine.

Ready to start creating with cashmere? Browse the limited edition supply of beautiful SAORI cashmere warps and the wide variety of cashmere yarns from SAORI Japan in our store.

 

Cashmere Yarn

Cashmere and Silk – variable shrinkage

Happy Weaving,

Terri

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Easter scarfSAORI Salt Spring

Easter Reedless Weaving

In our SAORI Study Group, our most recent prompt was “Reedless Weaving” – weaving without a reed.

In this type of weaving, the warp is still threaded through the heddles, but there is no reed. Because the reed is missing, there is nothing to keep the warp threads straight and in line. This means that the warp can be moved around while you are weaving. This allows you to change the sett of the warp – putting areas closer together and further apart and changing it as you go. So much fun!

colourful warp

This warp was made as a demo warp during a warping retreat, random colours were selected as we were winding it.  A demo of  making stripes gave us a purple stripe and a yellow stripe too.  Wow – a bright warp for me.

So, without the reed, the heddles are clipped (I use quilting clips) on both sides of the opening to keep the space open.  With no reed, hence no beater, you need to use either the shuttle or a comb to beat the weaving.

reedless weaving

Opening and closing different areas.

You’ll notice that the edges end up very loopy, almost like a ruffle.  This is because there is no reed to hold them in.  If you ever want to get over worrying about edges/selvedges – just try reedless weaving!

loopy edges

I used variegated yarn and wound it with a solid colour yarn – changing the solid colour each bobbin to give some variation.

I’m pretty happy with the result.  These photos before washing…

And after washing…

reedless weaving

A nice cotton scarf for Easter.

Happy Weaving,

Terri

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Beginning Weaving Classes Near Me

Are you searching for a colourful afternoon of artistry and craft?

Travelling the islands of coastal BC is an inspiration to your inner artist. The rich colours and whimsical weather patterns are a muse to local artists.Locals love to capture this ever-changing landscape through a variety of mediums. 

Weaving is an enjoyable craft that beginners and artists of any aptitude can venture into easily. With the help of a guide and a ready-set loom, you can create your own hand-made souvenir. 

SAORI Weaving Workshops on Salt Spring Island are a natural vacation activity. Our studio in the woods is a great place to get quiet and hear the inspiration from within. Explore weaving as a meditation or as a fun group social activity. The SAORI tools, yarns, warps, books, equipment are here for you to try and SAORI handwovens to inspire your new or next project.

Contact us today to book a Beginner Weaving Workshop on Salt Spring Island: 

  • Private Lessons: Weave something beautiful to take home with you in a 2-hour class, whether you have woven before or not.  A few simple instructions will get you started. There are endless possibilities to explore. Visit our bookings page.
  • Group Lessons: Designed for families, friends, vacation activity, business/corporate team building, inquire for a custom workshop. 

Words to Weave

Words to Weave – A Virtual Exhibit

 

During the time of COVID, in person classes, exhibits, festivals, etc. have been shut down.

One day when I was out for a walk, an idea came to me to hold a Virtual Exhibit.  So, “Words to Weave” became the theme.  I wondered how many people might be interested in this topic and who would submit items for this exhibit.  When I put out the call, I was so happy to receive a positive response.  In all, 14 artists contributed to this show.

Once I started receiving the entries, I had wished that it was in person.  It is so different to see an image instead of actually seeing and touching the cloth.  However, the words and the weavings that were submitted were so inspiring, moving and touching.  As is the SAORI way, each entry was so unique.

Here was the idea:

Are the words to a poem, quote, story or song inspiring to you?  Or perhaps the words of a child or some words from Misao Jo’s writings?

These are the SAORI weavings of 14 artists who have used words as inspiration. View all the details on each artist’s page  on the website Words to Weave.

 

 

 

I hope you enjoy viewing these explorations!  The exhibit remains posted for now – even beyond the original dates.

A new Artist’s Call will be coming this Fall.  Stay tuned for details.

Happy Weaving,

Terri

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Cowl Neck Top – Clothing Design

My newest cowl neck top in colours of Salt Spring and the Salish Sea in summer.

My favourites.

Mainly cotton.
Based on pattern 8 in the Black Book – Shitate no Hon.

Cowl neck.

This weaving was completed some time ago and I finally made this top, inspired by a different cowl neck top by Lynn (Pattern 7 in Shitate no Hon).

Happy Weaving,

Terri

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Y-shaped vest

The fabric for this vest is quite thick and heavy. The weft is 3-4 strands of wool wound together on a bobbin and I used lots of colour blending.

The warp was 10 thin threads of wool per dent and heddle (yes all put together to be like one thicker thread) and then 2 individual thin grey threads in the next two dents and heddles (more or less) so there are ridges in the warp.

I had this fabric for a while before I decided on it’s final form. I put two panels together sewn at the back and left the front open. Then I sewed the sides, but not at the edges as in the Y vest in the Beginners book. With these seams it makes the vest more form fitting, but loose at the same time if that makes sense.

 

Cozy and warm for a cool day.

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SAORI Weaving and Clothing Design
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Triangle Blouse Variation

When I first looked at this cloth, I thought I would make it into a simple top or vest with the white bands down the front. I cut the cloth in half and pinned it, and didn’t like it after all. Now what?

I browsed through the pattern books to get a new idea and saw the Triangle Blouse and so just turned the pieces on an angle – and I liked it so much better. So, I made the triangle blouse (SAORI Beginners Clothing design book – pattern 4).

SAORI Weaving and Clothing Design

My cloth was not the dimensions given in the book, but I just worked around that. The front is a little longer, the back a little shorter, but in truth it can be worn either way. Easy to make – just 4 seams – shoulders and sides, but a whole different look with the cloth at an angle.

SAORI Weaving and Clothing Design

I had a bit of cloth still from this warp and I made it into a simple vest with straps.

SAORI Weaving and Clothing Design

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January 2020 – A new decade

Happy New Year!

I’ve just sent out a newsletter with events happening at the studio and in Victoria in 2020.  You can read it here.

It includes information and registration for SAORI weaving workshops and retreats with SAORI Salt Spring.

Honeysuckle Cottage B&B
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Changes coming to the SAORI Salt Spring Studio!

As of November this year, my teaching studio will be moved into Honeysuckle Cottage! This means there will be more space for weaving, a sewing room, a bathroom and full kitchen. We will still be in the woods, with a beautiful deck to enjoy.

Honeysuckle Cottage B&B

Honeysuckle Cottage – soon to be the SAORI Salt Spring Studio space

The current studio space on the property will be converted into a SAORI “store” where you will find an array of warps, yarns, books, equipment and woven items for sale on display. You’ll also be able to try out the “specialty” looms in the store including the WX90 (a 36” SAORI loom), a 4-harness loom and the Piccolo loom.

For those coming on retreat (which of course I will still be hosting) there is a B&B next door to us at Bloom Organic (at the Blue Horse Gallery) with 2 different suites available. The neighbour on the other side is Bird’s Hill Cottage and their B&B will accommodate up to 5 people. Both are a short walk from the studio, so you’ll still be able to wander over to the studio anytime. As with all my retreats the studio will be open early and late (8 am  to 8 pm) for extra weaving time.

Other accommodations in the area include Angel Cottage, Magnolia Petal, Quarrystone Inn, Soul Reflection B&B and many more. You can also find many listings and availability on the accommodations website at www.saltspringaccommodation.ca.

I’m looking forward to this new adventure and to seeing you here on the island!

 

To book a workshop or retreat, please have a look at my calendar here and information on classes and retreats.

(See my entire Autumn 2018 newsletter here).

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Spaces Between – A Healing Journey

“Spaces Between”  is an installation at the Green Raven Clinic on Salt Spring Island.

Reflections:

Warp – I am the warp. I am black and I am strong and I hold all these pieces together. Without the warp she could not weave. I am dark and in the background so that all the colours of the weft can take centre stage. I am straight, usually. This time, she took out the reed and moved me from side to side at will. Usually the reed keeps everything under control and in straight lines – but the reed was nowhere to be seen. At one point she started pulling some of me out! I felt vulnerable, but I held everything together anyway.

Weft – I am the weft. My colour changes by her will and whimsy. I am often blues and greens, the colour of the island, but now I am grey and soft, red and strong, black and dark. Usually I go across and back, across and back. But now, she stops and starts, changing direction, changing colour, leaving holes and spaces. Leaving spaces between.

Black – I am black and dark. Black and strong. A background colour. A bold colour. No colour. I reach into dark places and call things up for exploration. I am the colour of the west and the storm clouds, but they also bring the cleansing rains. You may see me as solid, but look closely, I am only threads woven together, absorbing the light.

Red – Bold. Strong. Startling. Stop. Look at me. Her Aries colour, seldom expressed by her. I think I am not her true colour as she feels jolted by me. I stand out. I draw your eye. I call to you, to women.

Grey – Soft, woollen grey. Gentle lines, moving, bending, blending in. Making you feel relaxed and soft. Warm and cozy. I rest your eyes from the other strong colours. I withdraw into myself. I balance the other colours, leaving a more peaceful feeling.

Wool – I am little bits of wool. I am scattered here and there like little bright spots. Soft spots. I make you smile when you see me. I am texture and unexpected. Playful.

Spaces Between

Waterfall, 2009
Blue Cashmere Jacket, 2018
Spaces Between: Flow, 2018
Spaces Between: Apart & Together, 2018
Spaces Between: Missing, 2018
Spaces Between: Crossroads, 2018

Artist’s Statement

These 4 pieces were woven as I started yet another year with Chronic Health Issues.

“Spaces Between”  was my search for answers. I wasn’t sure when I started weaving what the spaces were about. Were they the spaces, the moments of good health, the good memories? Or were they the spaces of darkness and ill health? Were they breathing spaces? I wove and I wondered.

When I showed one of my pieces to a friend as I was asking this question she said to me “It really doesn’t matter which they are, as when I see the whole cloth together it is beautiful. If the spaces are the good places or the broken places, they all work together to make the whole tapestry of your life”.

Each piece is different and it was clear when it was finished. I unrolled them and they are all of a similar length, a chapter of the story.

As I was finishing the last piece, just near the end, a piece of blue wool called to be put into the weaving. At that time I knew that this was the last piece of the series as I was being called back from this journey and search.

Spaces Between

Then I was at a clinic day at Green Raven and a question came to me “Where am I in all of this?” – it felt like something outside of me. Like I wasn’t present. It was at that time that I realized I had to add to this exhibit some pieces that are me, that reflect who I am.  The two pieces that I chose are blues, of course. One, called “Waterfall” was woven early in my SAORI weaving journey for an exhibit in New York City, before my illness started. The other “Blue Cashmere Jacket” is a piece that I just finished.

saori weaving

I am now weaving with more ease, more breathing room, more spaces to allow things to be how they are.

Happy Weaving,

Terri

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