Posts

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Cowl Neck Top – Clothing Design

My newest cowl neck top in colours of Salt Spring and the Salish Sea in summer.

My favourites.

Mainly cotton.
Based on pattern 8 in the Black Book – Shitate no Hon.

Cowl neck.

This weaving was completed some time ago and I finally made this top, inspired by a different cowl neck top by Lynn (Pattern 7 in Shitate no Hon).

Happy Weaving,

Terri

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Y-shaped vest

The fabric for this vest is quite thick and heavy. The weft is 3-4 strands of wool wound together on a bobbin and I used lots of colour blending.

The warp was 10 thin threads of wool per dent and heddle (yes all put together to be like one thicker thread) and then 2 individual thin grey threads in the next two dents and heddles (more or less) so there are ridges in the warp.

I had this fabric for a while before I decided on it’s final form. I put two panels together sewn at the back and left the front open. Then I sewed the sides, but not at the edges as in the Y vest in the Beginners book. With these seams it makes the vest more form fitting, but loose at the same time if that makes sense.

 

Cozy and warm for a cool day.

SAORI Weaving and Clothing Design
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Triangle Blouse Variation

When I first looked at this cloth, I thought I would make it into a simple top or vest with the white bands down the front. I cut the cloth in half and pinned it, and didn’t like it after all. Now what?

I browsed through the pattern books to get a new idea and saw the Triangle Blouse and so just turned the pieces on an angle – and I liked it so much better. So, I made the triangle blouse (SAORI Beginners Clothing design book – pattern 4).

SAORI Weaving and Clothing Design

My cloth was not the dimensions given in the book, but I just worked around that. The front is a little longer, the back a little shorter, but in truth it can be worn either way. Easy to make – just 4 seams – shoulders and sides, but a whole different look with the cloth at an angle.

SAORI Weaving and Clothing Design

I had a bit of cloth still from this warp and I made it into a simple vest with straps.

SAORI Weaving and Clothing Design

Honeysuckle Cottage B&B
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Changes coming to the SAORI Salt Spring Studio!

As of November this year, my teaching studio will be moved into Honeysuckle Cottage! This means there will be more space for weaving, a sewing room, a bathroom and full kitchen. We will still be in the woods, with a beautiful deck to enjoy.

Honeysuckle Cottage B&B

Honeysuckle Cottage – soon to be the SAORI Salt Spring Studio space

The current studio space on the property will be converted into a SAORI “store” where you will find an array of warps, yarns, books, equipment and woven items for sale on display. You’ll also be able to try out the “specialty” looms in the store including the WX90 (a 36” SAORI loom), a 4-harness loom and the Piccolo loom.

For those coming on retreat (which of course I will still be hosting) there is a B&B next door to us at Bloom Organic (at the Blue Horse Gallery) with 2 different suites available. The neighbour on the other side is Bird’s Hill Cottage and their B&B will accommodate up to 5 people. Both are a short walk from the studio, so you’ll still be able to wander over to the studio anytime. As with all my retreats the studio will be open early and late (8 am  to 8 pm) for extra weaving time.

Other accommodations in the area include Angel Cottage, Magnolia Petal, Quarrystone Inn, Soul Reflection B&B and many more. You can also find many listings and availability on the accommodations website at www.saltspringaccommodation.ca.

I’m looking forward to this new adventure and to seeing you here on the island!

 

To book a workshop or retreat, please have a look at my calendar here and information on classes and retreats.

(See my entire Autumn 2018 newsletter here).

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Artist in Residence (AiR) – Fall 2016

Lynn Jones – reflections on her Artist in Residency at SAORI Salt Spring – Fall 2016
I was delighted to be the Artist in Residence at SAORI Salt Spring for 3 1/2 days this month. The deciding factor for me was ‘weaving on Salt Spring Island without distraction’! I have a very full life at home. Both of my sons are living with me right now, my hubby, Bob and my (getting very old and grumpy) dog, Wilma. Though I have a ‘studio space’, it is shared. With musical instruments and a family computer and lately, some silver smithing / jewelry making tools. I love the busyness of it all, but it does impede the creative process for me. One thing that I took away from my time on SSI is that I’m best really early in the morning. Always knew that, but never really put it to creative use. So, from this time forward and forever more, I will use the time from waking til 9:00 am to be creative, alone, with my cloth and my babe (draping, shaping, cutting and sewing). I can weave with everyone around, but I can’t improvise with my cloth unless I have some peace and quiet. So, I had time to create…2 pieces I’d woven earlier. A jacket in blues with blue jean sleeves and a tunic woven with fabric from some thrift store finds.

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img_0570-e1479166785661-450x600The other amazing experience I had with Terri was the time to collaborate on a weaving. I had ‘scored’ some thrift store silk. 75% off beautiful blue, green, pale yellow, mustard and white silk threads! This was our inspiration.

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Though I had a plan for the weaving, it became something completely other! SAORI philosophy tells us to listen to the cloth, not to plan ahead of time, to weave ourselves. So, the plan I had will materialize on some other visit. What Terri and I created was a kelp bed, unintentionally of course . The whole weaving was shared…every piece that went into it, every idea, all the threads. As Terri so beautifully put it, there were no egos. We threw ideas back and forth. We have so many more ideas to put into our future weavings!

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It was just as much fun weaving as it was photographing the experience. We had to keep reminding each other to take pictures….. And sometimes we just got silly!

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I had time to create in the cottage.

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To cook for Terri and Alan. To sip wine and listen to music. Carole King’s Tapestry was my go to cd. How appropriate!!!
I am so very grateful for the experience of being the AiR. Looking forward to annual WOWWWs (weeks of weaving, wondering and wandering) and whatever else comes from my journey into SAORI weaving and it’s never ending possibilities.

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I read this quote from Misao one morning:
“I am often asked, “What did you do before you started weaving? You must not have been just an ordinary housewife.” Well, when I was twenty five years old, I had a profound experience that opened my eyes. Some would call it a revelation sent by a Supreme Being. Anyway, it turned out to be my work for the rest of my life. In my pursuit of this, I have always been aware that some great, invisible power is within me. Looking back, I see that each small incident I experienced as an ordinary house-wife (mother, sister, banker for me) led me to this path. All the experiences in the past were preparation for what I am now doing. Simply put, everything was leading me to comprehend that kansei (the significance of an intuitive sense of beauty existing inside of us.) is inherent in everyone.”
How appropriate for me to read this while being the AiR.

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I had a great time with Lynn. It was fabulous to collaborate and explore together – so many ideas!
Happy Weaving,
Terri
Next Artist-in-Residence: February 2017 application info tba
My website: www.saorisaltspring.com
Or you can find me more often on Facebook or Instagram.

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Exploring 3D SAORI weaving

Well, it has been a while since I’ve written. Many things have been happening over this summer and there are pictures on my Facebook page and also on Instagram if you haven’t been following along.

We recently finished 10 full and fantastic days with Loom Dancer Weaving Odysseys (watch the great video at this link for a view of the trip) here on Salt Spring Island…

Loom Dancer 2016

A great group of enthusiastic women. I always come away from these events with ideas popping! So, after getting much of my studio set up again it was time to try one of them out. I chose bobbins that were left from the retreat – so there is a feeling of that gathering in this piece.

At the retreat, some people were exploring the cool cross and weaving a circle, and I had an idea to try a loop weaving and so I started my exploration into this 3D method that I was imagining…

loop-top 3D weaving

Front…

loop-top 3D weaving

Back…

loop-top 3D weaving

Looks kind of crazy, but it worked as I had hoped and imagined it would. Two panels of weaving joined with loops.

loop-top 3D weaving

It has become a no-sew top! Some of the loops go over the shoulder as straps and others are the sides. The weaving itself is the front and the back of the top. So fun!

loop-top 3D weaving

loop-top 3D weaving

loop-top 3D weaving

Always something new to try when there is so much inspiration.

Happy Weaving,
Terri

My website: www.saorisaltspring.com

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Artist-in-Residence – Spring 2016

Earlier this month I was so happy to host Stacey Piwinski as the Artist-in-Residence at SAORI Salt Spring. When we were setting up the residency, Stacey requested that we go to Pacifica Paddle at the beginning rather than at the end of the residency. She wanted to meet others in this SAORI community and see how that may influence her work during the week at the studio. “We learn from each other”

pacifica-loooms

So, we set up weekend workshops and a SAORI Kai. I had a lot of feedback from people after about how much they were inspired by her presentation of her work and her process. One piece that she shared with us was something she had worked on over the period of two years. She wove a piece each month that reflected her life over that month. The following year in the same month she did more work on that same piece.

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We shared with her some of our weavings and clothing design, wall hangings and pieces of cloth. It was all a wonderful start to the residency.

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As Stacey was here, she wrote a blog post for every day – documenting the weaving, meetings with people, conversations, places we visited on the island. If you haven’t already seen them, these posts are well worth a read. Lots of photos too!

Day 1 – Pacifica Paddle – “Weaving, Water & Butterflies
Day 2 – SAORI Kai – “SAORI Sunday” – Part 1 & Part 2
Day 3 – SAORI Salt Spring – “Tall Trees and Green Moss
Day 4 – SAORI Salt Spring – “Delightful
Day 5 – SAORI Salt Spring – “Wednesday Already
Day 6 – SAORI Salt Spring – “Kan Ryoku is Sprouting Up
Day 7 – SAORI Salt Spring – “West Coast Dream Squid
Day 8 – Victoria – “Headed Home

Stacey worked on different pieces while she was here including one she called “Little Terri” – this piece incorporated a collection of items that I had given her at the beginning of the week. It was jewelry of mine, collected over years, that I didn’t wear anymore.

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…a mobius (note that there is no fringe!)

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… and a squid vest

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squid vest

She brought me one of her works – that incorporates painting and weaving and it now hangs next to my SAORI Calendar in the studio.

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We enjoyed the days, the visitors to the studio and the island…the days went by way too quickly!

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Until next time…

Mt. Maxwell

Happy Weaving,
Terri

My website: www.saorisaltspring.com, see some updates on my Gallery page here.

Or you can find me more often on Facebook or Instagram.

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A weekend at Pacifica and an upcoming SAORI Kai

For a year now, I’ve been teaching workshops at the beautiful Pacifica Paddle location in Brentwood Bay on Vancouver Island. It is so wonderful to have my looms and supplies there at a ‘satellite studio’ and just come over on the ferry to share SAORI weaving.

pacifica-looms

Here is a sampling from this weekend.

We arrived on Saturday morning and the weather was a bit misty…

misty morning

One of the first weavings was in all whites. Stunning!

White weaving

Then more colour, a lot more colour, crept into the next one.

weaving

Some rugs were woven with local wool and alpaca roving. This one for a lucky kitty!

handwoven cat mat

The following day we had a full workshop including members of the Victoria Weaver’s Guild – they were interested in seeing what SAORI was all about and trying the looms out, learning about the philosophy and letting go…

We tried some ripple weave,

ripple weave

feather plying,

feather plying

And lots of colour and texture.

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Marilee was learning to make warps with Kenzo’s new warping tools. It’s kind of like making your own pre-wound warp. Quick and easy to do – and it can all be beamed and threaded right at the table. Or you can use the loom.

blue warp

A wonderful weekend again.

weekend weaving

Thanks to Peter & Sandra for making these workshops possible at their workshop location. And to all who come out. You can always go out for a paddle while you are there – or bring a partner or friend who would like to get out on the water.

You can also enjoy a paddle

Next month there is a workshop on Saturday, March 12 from 10-3 and then a mini-workshop on Sunday, March 13 from 10-12. We will be joined by a special guest – Stacey Piwinski from Boston – who will be the Artist-in-Residence at SAORI Salt Spring that week! Come and meet Stacey and see some of her works from her recent exhibit.

Stacey Piwinski, Artist in Residence

PLUS a SAORI Kai on Sunday, March 13 from 1-3. Please come out, bring your weaving, your questions and share in the joy of SAORI. All are welcome.

Happy Weaving,
Terri

My website: www.saorisaltspring.com, see some updates on my Gallery page here.

Or you can find me more often on Facebook or Instagram.

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Artist-in-Residence – Spring 2016

 

I am pleased to announce the next Artist-in-Residence at SAORI Salt Spring. And I want to thank all the others that applied…the decision was not an easy one!

March 2016 Artist-in-Residence – Stacey Piwinski, MFA of Massachusetts

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I have met some of her connections to SAORI – Mihoko Wakabayashi of SAORI Worcester and Bobbie Herron – and I look forward to meeting her soon.

She will be here in March and coming to the workshop days and SAORI Kai at Pacifica Paddle on March 12 & 13.

She says:

I would like to continue my abstract woven portraiture work, but this time instead of working with friends, I would be making new friends in new places. I have no idea where this new work will take me, but I am excited, a little scared, and willing to find out my getting my hands in an allowing the loom to make those soothing clicking sounds and guide the conversations and the fabric row by row.

Artist-in-Residence

Two Years

Artist-in-Residence

Two Years (detail)

Her Artist’s Statement for an upcoming show:

Although her work speaks to painterly concerns, Stacey Piwinski (CFA’99,’00) uses textiles and found materials to create intricate weavings that consider the passage of time, the tactility of material, and interpersonal relationships. In her fabric scrolls and mixed media works, Piwinski carefully re-contextualizes objects that have personal significance or simply have been left behind. In these material and personal explorations of memory, Piwinski allows the objects to weave together new meanings and to tell new stories.

The show:
Sherman Gallery, Boston University Art Galleries
Stacey Piwinski: It’s not you, it’s me
January 22 – March 4, 2016

September 20, 1911

September 20, 1911

About Stacey
Stacey received her BFA in painting in 1999, her MFA in studio teaching in 2000 from Boston University, and most recently her MFA in visual arts from Lesley University in January 2014. Stacey participated in the Japan Fulbright Memorial Teaching Program in 2005 and was inspired by Japanese textiles, specifically Saori Weaving. As an arts educator in the Wellesley Public Schools, she has facilitated community-weaving projects as a way of connecting individuals. Weaving as a metaphor for bringing people together is a thread that runs through all of her work.

You can see more of her work here.

I’m looking forward to her SAORI explorations here at SAORI Salt Spring. I hope that many of you can join us for a SAORI Kai on March 13!

Happy Weaving,
Terri
My website: www.saorisaltspring.com

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Artist-in-Residence: On my return to the South…

Susan Norton, from Louisiana was the first Artist-in-Residence at SAORI Salt Spring. I asked her for a few words about her experience here and this is what she wrote:

On my return to the South, I understand that we really do move at a much slower pace than others. Whether it was in my speech on Salt Spring Island when I ordered my lunch with ‘haamm’ or my hesitancy when choosing new colors at Terri’s studio I find that with deliberation also comes a reluctance to move forward. With exposure to new techniques and attempting to expand on my weaving knowledge I came to adopt the mantra of “just do it”. My gorgeous cabin in the woods and the sweetest people on the island helped me to feel welcomed. Now, at home I am becoming more decisive with my Saori weaving style and still trying to see with shining eyes and approach weaving with even more gentleness.

With Holidays fast approaching I feel like my artist in residency was all too brief. Making the commitment to collaborate with Terri on this experience was only the beginning of what I hope is a greater sharing on my part.

I am truly fortunate to have been the first artist in residence at Saori Salt Spring Weaving Studio.

~ Susan

It was so much fun to share the studio with Susan for a week and then to go to Pacifica Paddle to continue the journey with other SAORI weavers from the area. We also had a SAORI Kai to learn and to share with others.

Some photos from the week:

In the studio…

Making a narrow warp for learning…

And more warping…

Lynn comes over to share ideas…

Some sewing too!

At Pacifica Paddle…

And even getting out on the water…

So, I’m also announcing the next Artist-in-Residence for SAORI Salt Spring. It will be in March 2016 – with dates somewhat flexible. One of the comments that Susan had was that it felt too short – so I have an option of one-week or 10 days. Applications will be accepted up until January 1, 2016 for this AiR. More information here.

Happy Weaving,
Terri

My website: www.saorisaltspring.com